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    • Sennelier Watercolour No. 443 Raw Sepia Series 1

      Sennelier Watercolour No. 443 Raw Sepia Series 1

      C$14.77

      Sennelier French Artists' Watercolors offer a bright and lively palette in the tradition of French Impressionists. Featuring brilliant colors, including 50 single pigment colors (many unique to Sennelier), the colors evoke the beauty of Southern France.

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        PRODUCT DESCRIPTION

        Pigment Information
        This color contains the following pigments:
        PBr7-Raw Umber

        PBk6-Lamp Black

        Pigment Name
        PBr7-Raw Umber

        Pigment Type
        earth

        Chemical Name
        hydrated iron oxide

        Chemical Formula
        α-FeO3+(OH) or Fe2O3 × MnO2

        Properties
        Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.

        Permanence
        Raw Umber has excellent permanence.

        Toxicity
        Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.

        History
        This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.

        Pigment Name
        PBk6-Lamp Black

        Pigment Type
        inorganic

        Chemical Name
        carbon

        Chemical Formula
        C

        Properties
        Lamp black is a very opaque, heavily staining black pigment that does not have much covering power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures, is one of the slowest drying pigments in oils, and should not be used under other colors.

        Permanence
        Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.

        Toxicity
        Lamp Black is slightly toxic by skin contact and inhalation. It is a possible human carcinogen.

        History
        Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It is the black found in Egyptian murals and tomb decorations and was the most popular black for frescoing until the development of Mars Black.

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