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    • Sennelier Watercolour No. 623 Venetian Red Series 1

      Sennelier Watercolour No. 623 Venetian Red Series 1

      C$14.77

      Sennelier French Artists' Watercolors offer a bright and lively palette in the tradition of French Impressionists. Featuring brilliant colors, including 50 single pigment colors (many unique to Sennelier), the colors evoke the beauty of Southern France.

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        PRODUCT DESCRIPTION

        Pigment Information
        This color contains the following pigments:
        PR101-Red Iron Oxide

        Pigment Name
        PR101-Red Iron Oxide

        Pigment Type
        earth, synthetic

        Chemical Name
        iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide

        Chemical Formula
        Fe2O2 or Fe2O3 • H2O

        Properties
        Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.

        Permanence
        Red iron oxide is very lightfast with excellent permanence.

        Toxicity
        Red iron oxide has no significant hazards.

        History
        Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.

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