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    • Sennelier Watercolour No. 819 Sap Green Series 1

      Sennelier Watercolour No. 819 Sap Green Series 1

      C$14.77

      Sennelier French Artists' Watercolors offer a bright and lively palette in the tradition of French Impressionists. Featuring brilliant colors, including 50 single pigment colors (many unique to Sennelier), the colors evoke the beauty of Southern France.

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        PRODUCT DESCRIPTION

        Pigment Information
        This color contains the following pigments:
        PB29-Ultramarine [Blue]

        PY153-Nickel Dioxine Yellow

        Pigment Name
        PB29-Ultramarine [Blue]

        Pigment Type
        inorganic

        Chemical Name
        complex silicate of sodium and aluminum with sulfur

        Chemical Formula
        Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4

        Properties
        Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.

        Permanence
        Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.

        Toxicity
        Ultramarine has no significant hazards.

        History
        The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.

        Pigment Name
        PY153-Nickel Dioxine Yellow

        Pigment Type
        organic synthetic

        Chemical Formula
        C28H12N2O2

        Properties
        Nickel dioxine yellow is a semi-transparent, lightly staining yellow pigment with high tinting strength, although less than that of the diarylides. It is considered a good color match for Indian Yellow, a historic pigment that is no longer available. Drying time is average.

        Permanence
        Nickel Dioxine Yellow has excellent lightfastness.

        Toxicity
        Nickel metal is toxic and may irritate skin.

        History
        Unknown.

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